Opera: L'elisir d'amore by Gaetano cursosgratuitosbr.orgry source: Le Philtre by Eugène Scribe ().Age of composition: spring Gaetano DONIZETTI () L'elisir d'amore () Leo Nucci, Belcore. Kathleen Battle, Adina. Luciano Pavarotti, Nemorino. Donizetti: L'elisir d'amore free music downloads: mp3s and video. You will be transfered to a page where you can download Donizetti's L'elisir d'amore For example "6'02 m" means that this performer offers a mp3 file of kbps that. Check out L'Elisir D'Amore by Gaetoano Donizetti on Amazon Music. Stream Unlimited MP3 Buy MP3 Album $ Buy CD + free MP3 album $ Check out L'elisir d'amore by Gaetano Donizetti on Amazon Music. Buy MP3 Album $ . Donizetti: L'elisir d'amore: Una parola, o Adina - Nemorino.
|Nome:||elisir d amore mp3 re|
|Formato:||Fichier D’archive (mp3)|
|Sistemi operativi:||MacOS. Android. iOS. Windows XP/7/10.|
|Dimensione del file:||4.39 Megabytes|
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Brani Disco 1 1. Prelude 1. Akt 2. Bel conforto al mietitore 3.
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Quanto e bella, quanto e cara from the opera L'elisir d'amore. Click to Enlarge. Write a Review. Detailed Description.
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Sample this album. Title by Artist. Donizetti: L'elisir d'amore: Preludio e coro d'introduzione - Giannetta, Chorus. Donizetti: L'elisir d'amore: Quanto e bella, quanto e cara! Donizetti: L'elisir d'amore: Benedette queste carte!
Donizetti: L'elisir d'amore: Come Paride vezzoso - Belcore. Donizetti: L'elisir d'amore: Or se m'ami, com'io t'amo Donizetti: L'elisir d'amore: Intanto, o mia ragazza, occupero la piazza - Belcore, Adina.
Donizetti: L'elisir d'amore: Una parola, o Adina - Nemorino. Donizetti: L'elisir d'amore: Che vuol dire codesta sonata? Donizetti: L'elisir d'amore: Udite, udite, o rustici - Dulcamara.
Donizetti: L'elisir d'amore: Ardir! Ha forse il cielo Donizetti: L'elisir d'amore: Caro eliser! Sei mio! Donizetti: L'elisir d'amore: Lallarallara la la la - Nemorino. Donizetti: L'elisir d'amore: Tran tran In guerra ed in amore Donizetti: L'elisir d'amore: Signor sargente, signor sargente - Giannetta.
Donizetti: L'elisir d'amore: Adina, credimi, te ne scongiuro Donizetti: L'elisir d'amore: Andiam, Belcore, si avverta il notaro - Adina.
Donizetti: L'elisir d'amore: Cantiamo, facciam brindisi - Chorus. Donizetti: L'elisir d'amore: Poiche cantar vi alletta Donizetti: L'elisir d'amore: Silenzio! E qua il notaro - Belcore. Donizetti: L'elisir d'amore: Le feste nuziali Donizetti: L'elisir d'amore: La donna e un animale Donizetti: L'elisir d'amore: Saria possibile? Donizetti: L'elisir d'amore: Dell'elisir mirabile Donizetti: L'elisir d'amore: Come sen va contento!
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No-one will confuse it with a digital studio recording or even a live recording from Bayreuth, but not bad at all for a live performance. Stage noises are minimal and the audience is better behaved than many Italian audiences.
CAST: Adina, a prosperous country landowner inclined to be flirtatious and flighty - Renata Scotto soprano ; Nemorino, country bumpkin and prize chump hopelessly in love with Adina - Carlo Bergonzi tenor ; Belcore, a sergeant in a regiment encamped near Adina's farm, hopelessly in love with Belcore but also inclined to marry Adina - Giuseppe Taddei baritone ; Doctor Dulcamara, a traveling quack, purveyor of bogus nostrums and love potions, in love with money and his next meal - Carlo Cava bass-baritone ; Gianetta, a country girl who is not entirely averse to snagging a wealthy husband - Renza Jotti mezzo-soprano.
Brief history of the opera and short summary of the plot. Track list which identifies some but by no means all the singers on each track, and omits timings. Nothing on the performers and little more on the circumstances of this recording.
TEXT: This recording includes the performance cuts that were traditional for more than a century. Some earlier reviewers are clearly appalled by that fact and are quite evidently suffering the vapors because of it.
I do not adhere to the cult of recording every note ever written and re-affirming every preliminary draft and bad idea. The simple fact is that original intentions sometimes do not survive encounters with real audiences. Opera is theater at its very largest and not every academic restorer understands that.
If you have any doubts on the matter, just consider the cataclysmic effect on "The Tales of Hoffmann" when "restored" to Wagnerian length, as it is on some recent recordings. Scribe's original libretto, "Le philtre," had been set to music by Auber in , to no particular effect.
In , Donizetti needed a libretto on fairly short notice. His hack librettist, Felice Romani, knew a good thing when he could steal it. One hundred and thirty five years later, the Florence May Festival offered this fine performance. There are three international stars among the singers, but the performance really belongs to Carlo Bergonzi.
The always acute and knowledgeable Amazon reviewer Armindo was so impressed that he was moved to utter these exclamations: "Bergonzi is the most characterful and romantic Nemorino ever!
It's really unbelievable how much feeling and spirit he infuses in his singing without ever reducing its musical quality!
L'elisir d'amore : Gaetano Donizetti : Free Download, Borrow, and Streaming : Internet Archive
I know no other singer--male or female--who ever achieved such level of musicality. He truly sounds like the young bumpkin! The most idiomatic and tender Una furtiva lagrima you will ever hear, is only one highlight of his performance. I think Ferruccio Tagliavini might have been as good or better about and so, too, might Tito Schipa have been around and maybe even Alessandro Bonci in, say But, of course, Tagliavini, Schipa and Bonci are not available in their best voices on more or less complete recordings of "L'elisir" while Bergonzi is-right here!
He is as good as we're ever likely to hear in this lifetime. Renata Scotto sings very well here. Her many fans may rest assured that Scotto does everything that they might wish from her and does it very impressively, too. I am not one of her fans and the fault is probably much more mine than hers.
Opera `L`Elisir d`Amore`
To me, she is like one of T. Elliot's mermaids. I hear them singing each to each but I do not think they will sing to me. The third big name in the cast is Giuseppe Taddei. The Italians like to say they gave Gobbi to the world but kept Taddei for themselves. He did, in fact, sing outside Italy. He made his debut at the Metropolitan Opera at the age of On this recording, the 51 year-old baritone offers a good, solid performance as Sergeant Belcore.
I have no criticism of him in the role of Belcore except that he should not be singing it. Taddei was an excellent Leporello and a tremendous Falstaff. Any good baritone can be Belcore. Taddei would have been fabulous as the quack doctor and perhaps only Salvatore Baccaloni at his prime might have been better.
I can only guess that Taddei took Belcore because he did not wish to be typecast in the buffo parts. Carlo Cava was a reliable singer of lower-voiced parts.
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